Change is afoot.
Last weekend I did my first ever Beyond the Basics workshop here in Minneapolis. And I have to tell you it was so much fun working with a small group of experienced encaustic artists who were ready to look at their images in a new light.
Not that I don’t love teaching beginners the process. But there are plenty of workshops that teach the basic technical aspects of photo encaustic. This workshop was different. We still spent plenty of time on technical information as we looked at:
- What’s the advantage of printing on tissue paper
- Perspective and vision for creating layers
- Choosing the right image for the process
- Isolating images
- Materials + tools needed for printing on tissue paper
- Various techniques for printing
- Ideas for building backgrounds
- Creating smooth and consistent surfaces for backgrounds
- How to hide the edges of the tissue
- Tiling multiple image together
- Working large with tissue paper
But it’s what happened after the technical information that was magical. I watched as each participant looked through their images and decided what images they could transform into something different.
To my mind, working with tissue paper in my mind is the most transformative when incorporating the images into beeswax. The photograph is only the beginning of the story. The space created around the image isn’t real and not part of the original photograph. For me, isolating the subject and creating a different background allows me to create an image that seems timeless. It allows viewers to see the subject differently and bring their own perspective to the work and allows for different interpretations.
Through the eyes of my students I was able to see the entire process in a new light. The creative energy was flowing in a different way than it does in a beginner’s workshop.
The other thing that was different was I taught this workshop in a collective studio space that I’m a new member of, and it was so heartwarming to teach the process with my work hanging on the walls. You see, most of the in-person workshops I teach I either travel to (so I can’t bring any of large scale paintings) or are at the local fire art center which doesn’t have any gallery space.
Teaching the workshop, sharing information freely, and talking about my work, it became very obvious to me…. change is afoot. There is an impending shift happening within me.
There’s been some uncomfortable soul searching that has been flushing through my veins of late. You’ve heard me here on this blog, talking about finding your voice. It’s a topic has been easy for me to write about as it’s what is bubbling up to the surface for me as of late.
I’m feeling a deeper pull and am embracing the opportunity to spend the next few months diving into my own work and finding my voice.
It’s a tremendous gift for me to teach and I’m filled with gratitude for every workshop. My biggest take-away from this experience is I realized that I want to teach more of these types of workshops. In a Beyond the Basics class, each student brings a unique perspective and varying experience. I find the willingness to learn from each other is powerful.
I teach students the techniques, but we all know that’s not what makes a great piece of art. It’s what we as artists do with the techniques in creating work. THAT’s what it’s all about.
And I have a desire to spend more time connecting with fabulous like-minded artists as we all search for the role of our voices in creating work.
Would love to hear any comments you may have.
Be well….be creative,
I’m someone who would benefit from this new focus, but I am unable to do “in person” workshops. Anything you could figure out for an online community of this sort would be appreciated. I’ve got the basics handled for images and encaustic, but learning new approaches and communicating with like- minded artists is always a plus.
Thanks for your comment Judy. I’ve got some ideas ruminating around in my head. I’ll let you know when I’ve got something formal.
Oh my! What an intensive experience at an incredibly reasonable price. I do hope you offer this again. Next year is my last year in this working chapter of my life, plus my daughter is deploying to the Middle East around the time of your October workshop. Things will be a little wonky in the fall to say the least. I will keep my eyes peeled for a future offering to jump in to. A long weekend in Minnesota with you to inspire sounds like a little bit of heaven to me!
Absolutely, I’ll be offering it again…..would love to have you come to Mpls to visit and play:)
PS….I did purchase your “Secrets to Success/How to Choose Images for PhotoEncaustic” video almost immediately after you sent out the link to purchase. It’s a great addition to my arsenal of Clare-isms and helped me to not flit from one extreme to another in deciding how to quell through my viable images for encaustic work specifically. Thanks so much for all of your enthusiastic and carefully orchestrated tutelage!
Oh good, glad it is helpful. It’s a tough question one to try to figure out, not all photographs work well for each technique of incorporating with the wax. Some of it is trial and error, that’s for sure. But there are some definite tips to which photos to choose for which process.
Hopefully there will be something in an online community. What you tell in this blog is very interesting. Coming to your workshop is for me not possible. Living too far away; the Netherlands….
Absolutely, I will continue to teach online as almost 1/3 of my classes are international students who would have difficulty in coming to the US for a class.