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#1 Pricing Mistake


Let’s talk about Pricing.

How many times have you asked, ‘how do I price my artwork’?

It’s one of the hardest aspects of any business, let alone an art business, where you are putting a dollar value on your artistic voice and personal vision.

Naturally you start asking around. You ask your friends and family what they think you should charge. You ask other artists. You look at artist websites and scrounge around for what they charge (if they even have it online). You ask your teachers and your mentors.

Deep down you want some to just tell you what to charge because you certainly don’t want to charge too much, and heaven forbid you don’t want to charge too little.

But soliciting unqualified feedback from unqualified people is a dangerous practice.  Do your parents and friends know the value of artwork? Do they work in a gallery? Do they know your customers and their price points? Do they have pricing or marketing expertise?

When you set prices by committee you are taking on other people’s money beliefs and blocks. There are as many different perspectives on ‘worth’ and ‘value’ as there are people on the planet. How many times have you heard about ‘starving artists’ or the one I love most is qualifying question ‘well, how long did it take you to make’? Like that has something to do with the value of a piece.

The truth about pricing is there will always be someone who thinks your work is too expensive, and there will always be someone who thinks it’s a great deal. And let’s not forget there are tons of people who make buying decisions outside of your price. If they love it enough. They will buy it. Plain and simple.

You have to know your target market and what they are willing to pay. And you have to know yourself. What fears do you have about money? Do you think you don’t deserve to charge as much as a more established artist, regardless of their skill level? Do you feel like an imposter and the world is going to find out you are really not an artist, so how can you charge very much? Do you tell yourself, I’m not good with money? Or think that your work isn’t good enough? Or that you are never going to make a living out of your art? The list can go on and on. Only you can decide what are your mindset and blocks about money. And then only you can work through them.

So, what should you do? You have to trust in yourself and pick a price. What you decide is personal. How does it feel to try on that price? Think of it as a pair of shoes. Are they too big? Too small? Or just right? You have to be in alignment with the price.

I remember when I had to decide on a price for my beginners’ photo encaustic class. I looked around at what others were charging, but I was early to online teaching and had no idea what price to put on the course. I remember riding in the car with a friend and talking about it. I tried on a couple of prices. And made a decision based solely on what felt right. I envisioned looking at the price on my sales page and how I would feel telling someone the price. I decided on a gut feel. And every year I ask myself if I should increase the price, and always settle back into the current price. It still feels right. Others are charging more. Others are charging less. And that doesn’t matter.  I know it’s my ‘sweet spot’ and it feels comfortable.

Wouldn’t it be nice if there was a formula you could plug this, that, and everything into to come out with the perfect price? Unfortunately, that isn’t reality. We have choices. But as Kendall Summerhawk says, ‘don’t base your net-worth on someone else’s self-worth.’

 

 


Let me hear from you.  I’d love for you to join the conversation. What do you think about what I’ve said about pricing your art? What has been your experience?

Be well….be creative,

Photo Encaustic

 

 

 

Click to learn more about photo encaustic classes, courses, and workshops.

15 thoughts on “#1 Pricing Mistake”

  1. Great post Clare! The final quote from Kendall says it all ‘don’t base your net-worth on someone else’s self-worth.’ That’s essentially what I adopted after spending years using square inch formulas, researching what prices were “out there”, and listening to (more often than not) the wrong people. Thanks for sharing.

    1. I think we’ve all done that Emily:) I know I have. It’s so tiring doing all that research and trying to figure it all out. We know inside what feels right and that is where we should price our work.

  2. Thank Clare, Still a hard one for me. It’s tough to realize how much one’s time is worth.
    I start out with the square inch formula as a jumping off point and decide from there if that number feels right. I will change the price according to how that number makes me feel.

    1. Exactly. Get a ball park that you are comfortable with and then sit with it and see how it makes you feel. We all have money blocks and sometimes they need to be addressed as well. But that is all internal work…..and nothing to do with pricing by committee:)

  3. Hi Clare. Ireally needed to read this. Its such a difficult subject for me. Sometime its just as much work more for smaller pieces (8×10 or smaller) as painting a medium sized pieces ( 12×16 or larger). Therin lies my delema for pricing because then I really have to consider costs and time. I struggle with pricing also because I have to pay out a commission.
    Your Suggestions are great.thanks again

  4. Good info Clare as always! I remember when I did my first show that included my new photo encaustic work I went to the Encaustic Museum here in Santa Fe to see what other like-minded artists were charging….it was a good starting place. But sadly that facility has closed due to Covid. I would also spend some time walking around art shows and seeing the range of prices in other artists booths….

    1. Yes, we’ve all done it…..but in hindsight, do we have any idea how the other artists came up their pricing? Maybe they are stuck in ‘starving artist’ mentality and who wants to mimic that?

  5. It’s odd, if you charge too little in say, a group exhibition, it could create a feeling that this is an inferior work. And if you charge a high price it implies that your work is already highly valued and therefore may be good to buy!
    It’s very tricky.

    1. Indeed. But ultimately you need to know your money blocks, work through them, and then charge what sits well with you in your gut!

  6. Thanks for this topic Clare ! As far as I’m concerned, square inches have nothing to do with it! How much joy does the piece bring to you? Try to value that with the monetary value you assign to a piece. I don’t look at how long it took me to do either . Value your work on your history of getting to where you are today. Underpricing brings regret. Seldom does overpricing ! Just my thoughts ! We all have our own history and experiences to consider.

  7. Thank you Clare. You always bring such a wise and grounded perspective to topics. Really appreciate the way you approach the monetary topic without narrow mindedly viewing it in simple business terms. Agree with everything you said. Great reminder. Also really like Jim Nulty’s comment “value your work on your history of getting to where you are today”. Great advice.

    1. Thanks Sabrina. Pricing is definitely a difficult topic to pin down, but ultimately, you need to be OK with what you charge.

  8. Well said. I do think there are various market locations that make changing prices relevant. It just isn’t easy to find that sweet spot. I am working on prices right now for a coming show in Santa Fe. It isn’t Kansas or MO where I live. Wishing I find that sweet spot. Thank you for the post.

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